Download Blues: Philosophy for Everyone: Thinking Deep About Feeling by Abrol Fairweather, Jesse R. Steinberg PDF

By Abrol Fairweather, Jesse R. Steinberg

ISBN-10: 0470656808

ISBN-13: 9780470656808

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The philosophy of the blues
From B.B. King to Billie vacation, Blues track not just sounds sturdy, yet has a virtually common charm in its mirrored image of the rigors and tribulations of way of life. Its skill to powerfully contact on various social and emotional matters is philosophically inspiring, and right here, a various variety of thinkers and musicians provide illuminating essays that make vital connections among the human situation and the Blues that might entice tune fans and philosophers alike.

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Additional resources for Blues: Philosophy for Everyone: Thinking Deep About Feeling Low

Sample text

However, big bands, jazz bands, rock and roll bands, orchestras, pianists, mandolin players, saxophone players, and zither players have all performed and recorded blues numbers. Thus, the temptation to define the blues in terms of either its geographic origins or the instruments most frequently used to play it should be resisted. indd 28 WADE F OX AND RIC HARD GREENE 9/23/2011 2:02:53 AM A natural candidate for a necessary condition is the twelve-bar chord progression (and its eight- and sixteen-bar variants) detailed above.

Is it blues or is it blues-rock? Is the blues canon evolving or dividing? And, if we are divided over this question, are we divided over an ‘aesthetic’ question (‘a matter of taste’)? Or are we divided over a political and moral question (a matter of conscience)? Or both? Myself: I’m not sure how to answer these questions – at least not all of them at once. But suppose we begin by noting something important about the nature of a canon: even if canons do evolve, this can only be at a slow and stately pace.

B. of legend. It is hard to explain exactly how B. B. ’ The notes he was playing were more or less the same as before, except now they had personality, bending over and under the ‘right’ notes of the scale. The rhythms were sharper, too, picked with an energy B. ’s first solo had lacked. There were subtle technical differences, certainly – more creative use of space, sharper attacks, sexier slides – but the underlying motivation was a change in the man himself: B. B. was expressing something, telling us a story.

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Blues: Philosophy for Everyone: Thinking Deep About Feeling Low by Abrol Fairweather, Jesse R. Steinberg

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