By Roger Wallis, Krister Malm
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Extra resources for Big Sounds from Small Peoples: Music Industry in Small Countries (Media studies)
The interviews were not conducted according to a fixed questionnaire but adapted to the countries. specific competence of the different informants. Thus it was possible to filter out incidents considered significant by people in different positions and to throw light on these incidents from several angles. For instance the Voice of Kenya radio monopoly decided in 1980 its channels, by The experiment turned out to be very traumatic for the VoK and was discontinued after a fortnight. Virtually all our informants had a different picture to change radically the music policy on one of replacing international hit songs with local music.
M. discs. This diffusion was then backed up live groups of Congolese musicians, many of whom had left Zaire during the turmoil of the Congolese war and had settled in Kenya. By 1970, Zairean bands had virtually taken over the local pop scene in Kenya and neighbouring Tanzania. Local musicians singing in Swahili or the major Kenyan tribal languages had a hard time being accepted. This situation changed gradually through the next decade. Luo musicians in Kenya developed their own Benga beat. Tanzanian musicians borrowed some ideas from their 'Zairean colleagues, extended the melodic lines and, by singing in by The MISC project 33 produced what has now become the popular Tanzanian band style.
Since the music of East Africa is almost always connected with movements of the body, rhythm is the most important element. This emphasized by the division of the words of texts into strongly rhythmical groupings. very basic feature is that a steady tempo is maintained over long periods, sometimes hours. Each participant in the music-making process refers all the other elements of the musical structure to a steady basic beat or pulse. On top of this pulse, a texture of rhythmical patterns is laid out (ployrhythms).
Big Sounds from Small Peoples: Music Industry in Small Countries (Media studies) by Roger Wallis, Krister Malm