By John Fitch
This quantity is a significant other to the author's new Loeb variation of Seneca's tragedies (vol. 1, 2002; vol. 2, 2004). It deals purposes for his editorial offerings, and explains his interpretations of the textual content as mirrored in his translation. Hercules Oetanus and Octavia, now ordinarily considered as imitations of Senecan drama, are either integrated. the amount is meant to be learn along Otto Zwierlein's Kritische Kommentar, released in 1986. within the intervening years there was a lot new paintings touching on Seneca's textual content, together with full-scale variants with statement on person performs, equivalent to Keulen's Troades, T?chterle's Oedipus and Ferri's Octavia. Annaeana Tragica seeks to complement and boost Zwierlein's paintings within the gentle of this new fabric. An appendix reports the scholarly controversy about the anapaestic odes of those performs, and provides clean facts suitable to the difficulty.
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Additional info for Annaeana Tragica: Notes On the Text of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum)
S neuter plural abdita et operta terris, “things hidden and covered by the earth” (which is in fact what Bill. translates). e. “things properly hidden” etc. g. Ov. 762, 6. 293, Trist. 49. Sen. g. Med 232f. trans Pontum quoque/summota, 679 arcana secreta abdita, Pha 939 longinqua clausa abstrusa, Oed 851 obducta longo temporum tractu, Ben. 3 remota et solitudinibus interclusa, Ep. 2 in tenebris male abstrusa. ’s comm. g. , Oed 2–4). ). Herc 679 Bill. ad loc. and at SSU 95f. reports that the genitive singular of sinus is found nowhere else in poetry.
47–55. TROADES Tro 15f. E has congestis iacent/tectis adusti, while A has congesti iacent/tectis adustis. The latter is clearly superior, for two reasons. 1. “Charred” applies better to the houses, with their flammable materials, than to the walls; conversely the walls provide a more spectacular instance of “piled” rubble than the houses. For burnt houses and fallen walls cf. 622 lapsis . . muris, 1085f. semusta tecta vel saxum imminens/muri cadentis. Similarly in the narrative of Aen. g. 310–12, 478) but the walls are toppled (608–10).
G. Fantham. Keulen takes etiam here to mean ‘really, actually’ (“with indignant questions,” OLD 4c); this would be persuasive if Agamemnon had just begun to hesitate (cf. Pha 705, Ag 983, Oed 678), but Pyrrhus already knows Agamemnon’s reservations, which are what the debate is about. TROADES 41 1. To describe such fervor as primus would indicate that it is that of youth (cf. Ep. 13 vitia primo fervore adulescentiae indomita), and would therefore destroy the separate categories Agamemnon is creating, viz.
Annaeana Tragica: Notes On the Text of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum) by John Fitch