By Andrea Miller-Keller, Alvin Lucier, Michael Roth, Nicolas Collins, Ronald Kuivila
This small, awesome e-book commemorates the occupation of experimental tune composer Alvin Lucier, and lines an interview with Lucier and curator Andrea Miller-Keller, essays via Nicolas Collins, Ronald Kuivila, Michael Roth and Pamela Tatge, and info of a symposium, express and specific performances of Lucier’s paintings held at Wesleyan collage, November 4-6, 2011. Lucier has pioneered in lots of parts of song composition and function, together with the notation of performers' actual gestures, using mind waves in concert, the new release of visible imagery through sound in vibrating media, and the evocation of room acoustics for musical reasons. From 1970 to 2011 he taught at Wesleyan college the place he used to be John Spencer Camp Professor of tune. Lucier plays, lectures and indicates his sound installations largely within the usa, Europe and Asia.
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Additional info for Alvin Lucier: A Celebration
Campers, Camp Wonalancet, NH (c. 1948); Graduation from Yale ’54 in Marching Band Regalia, with Mother; Lucier Receiving Prize from Aaron Copland, Tanglewood Residency (c. 1959); Lucier Preparing Equipment for Music for Solo Performer (1964); Lucier 1964 Composition, For 1, 2, or 3 People 45 Charles Curtis, cellist, is a celebrated soloist and ensemble player. Professor of contemporary music performance at the I. M. Harjito is a performer, teacher, and University since 1981. He has an extensive University of California, San Diego, he has just composer of Javanese gamelan.
Tuttle’s Sculpture for Performance Work with College Milton Avery Graduate School of Mei-mei Berssenbrugge and Lucier (1994). the Arts and contributes music to the Merce Other works in the exhibition Robert Ashley, Opera for Television: Music with Roots in the Aether Part 3 (1976), Ephemera: Noteworthy concert programs, articles, reviews, etc. including Landscape with Alvin Lucier, an Objects: Brain wave amplifier; Sondols; toy interview by Ashley with Lucier (see above). crickets; tapes from the original performance George Manupelli, Dr.
During the course of the performance, the acoustic characteristics of the folded metal bar are revealed. Silver Streetcar for the Orchestra was written expressly for Brian Johnson. The title of the work was taken from the surrealist text, Instrumentation (1922), by Luis Buñuel. A Tribute to James Tenney, 1986 Two pure wave oscillators are routed through a mixer to a pair of loudspeakers for double bass positioned on either side of the stage. The bassist stands equidistant between them. and pure wave oscillators Roy Wiseman, double bass During the performance the oscillators are tuned successively to five pairs of whole tones.
Alvin Lucier: A Celebration by Andrea Miller-Keller, Alvin Lucier, Michael Roth, Nicolas Collins, Ronald Kuivila