Download After Adorno: Rethinking Music Sociology by Tia DeNora PDF

By Tia DeNora

Theodor W. Adorno broached key questions about the position of song in modern society and argued that it affected realization and used to be a method of social administration and keep an eye on. announcing that song sociology will be significantly enriched by way of returning to Adorno's concentrate on track as a dynamic medium of social lifestyles, this e-book considers cognition, the sentiments and tune as a administration device.

Reviews:

If Adorno lead the way for the disciplines of sociology and musicology to come back jointly, DeNora has introduced this interdisciplinary scholarship to a brand new point of class, exhibiting that the discussion among musicology and sociology remains to be a two-way street." - William G. Roy

Show description

Read or Download After Adorno: Rethinking Music Sociology PDF

Similar social theory books

The Cambridge Companion to Habermas (Cambridge Companions to Philosophy)

This quantity examines the old and highbrow contexts out of which Habermas' paintings emerged, and provides an summary of his major principles, together with these in his most modern e-book. one of the issues mentioned are: his dating to Marx and the Frankfurt university of severe idea, his distinct contributions to the philosophy of social sciences, the concept that of "communicative ethics," and the critique of postmodernism.

We Real Cool: Black Men and Masculinity

"When girls social gathering and speak about males, the inside track is nearly constantly undesirable news," writes bell hooks. "If the subject will get particular and the focal point is on black males, the scoop is even worse. "

In this robust new booklet, bell hooks arrests our awareness from the 1st web page. Her title--We actual Cool; her subject--the means within which either white society and vulnerable black leaders are failing black males and formative years. Her topic is taboo: "this is a tradition that doesn't love black males:" "they are usually not enjoyed by way of white males, white girls, black ladies, women or boys. and particularly, black males don't love themselves. How may they? How may possibly they be anticipated to like, surrounded by means of loads envy, wish, and hate? "

The Craftsman

Craftsmanship, says Richard Sennett, names the elemental human impulse to do a role good for its personal sake, and solid craftsmanship includes constructing abilities and concentrating on the paintings instead of ourselves. the pc programmer, the health practitioner, the artist, or even the dad or mum and citizen all interact in a craftsman’s paintings.

Teachers as Cultural Workers: Letters to Those Who Dare Teach (Expanded Edition)

In academics as Cultural employees, Freire speaks on to academics in regards to the classes discovered from a life of adventure as an educator and social theorist. Freire’s phrases problem all who educate to mirror seriously at the that means of the act of training in addition to the that means of studying.

Additional resources for After Adorno: Rethinking Music Sociology

Sample text

They have no logic of their own but only in relation to the melodic line and the global rules). The material, in this case the voice lines, is thus made subservient to the need to produce a greater form; the particular is sacrificed to the general. A ‘good’ harmonisation, by contrast, would be attentive to the needs of all the voices so that the ‘whole’ could be seen to emerge from a judicious arrangement of the parts. In such a composition, then, one might speak of the music as analogous to a collective ideal.

And in that triumph, according to Adorno, resided the mechanisms of collective stupefaction – the dynamics of the culture industry and their psycho-cultural consequences. For if ‘good’ art could ‘aid enlightenment’ by pointing out darkness, the culture industry and its drive towards standardisation militated against enlightenment through repetition and predictability. According to Adorno, the music industry purveyed an endless parade of popular songs that Adorno, ‘defended against his devotees’?

Because, as Adorno believed, Stravisnky’s music invoked the body directly, it disengaged the mind. Stravinksy’s music did not deal with the part–whole problem of arrangement but was rather oriented – not unlike the popular songs Adorno disdained – towards effect. Moreover, in permitting rhythm to dominate, Stravinsky elevated the collective – the object – over the subject; the potential of his musical materials was made subservient to the music’s pulse. And finally (and bearing in mind that Le Sacre was a ballet), Stravinsky used music to depict topics and scenes and this, Adorno claimed, led him to use music as a ‘pseudomorphism of painting’ – to reduce music to the role of depictive rendition and thus deny its specifically musical properties, understood as the processual unfolding of musical material, its ‘becoming’ (1973:162).

Download PDF sample

After Adorno: Rethinking Music Sociology by Tia DeNora


by Donald
4.1

Rated 4.26 of 5 – based on 6 votes